Nigerian rapper Odumodublvck has weighed in on the ongoing controversy surrounding stream manipulation in the Nigerian music industry, responding pointedly to recent claims made by fellow rapper Blaqbonez.
Taking to X (formerly Twitter) on Thursday, July 31, 2025, Odumodublvck cautioned the public against being misled by accusations of stream manipulation asserting that true popularity cannot be faked.
“Dear public, do not let them deceive you. No matter how much a song is stream farmed, if your song is good and the people love it, it will show,” he wrote. “All this one na small pikin scopes and antics, insecurities. Trynna prepare the table for in case you fail. Losers.”
DEAR PUBLIC
DO NOT LET THEM DECEIVE YOU
NO MATTER HOW MUCH A SONG IS STREAM FARMED,IF YOUR SONG IS GOOD AND THE PEOPLE LOVE IT,IT WILL SHOW.
ALL THIS ONE NA SMALL PIKIN SCOPES AND ANTICS
INSECURITIES. TRYNNA PREPARE THE TABLE FOR INCASE YOU FAIL.
LOSERS 😂
— AKPORSTLE INDUSTRY MACHINE ⚙️ (@Odumodublvck_) July 31, 2025
In another strongly worded tweet, he dismissed the idea of blaming external factors for underperformance in the charts. “Blaming stream farmers for your songs not doing well is like blaming the devil for your evil deeds. It’s the devil’s work? Na lie. Na your work. Your work is not good enough. Pity the devil,” he posted.
BLAMING STREAM FARMERS FOR YOUR SONGS NOT DOING WELL IS LIKE BLAMING THE DEVIL FOR YOUR EVIL DEEDS
ITS THE DEVILS WORK.
NA LIE.
NA YOUR WORK. YOUR WORK IS NOT GOOD ENOUGH.
PITY THE DEVIL.
— AKPORSTLE INDUSTRY MACHINE ⚙️ (@Odumodublvck_) July 31, 2025
Odumodublvck, known for his gritty lyricism and rising influence in the local hip hop scene, further criticized artists who, despite their long tenure in the industry, fail to connect with audiences.
“Been in the game for so long yet they cannot beat the stream farmers. Waste of experience,” he added.
BEEN IN THE GAME FOR SO LONG YET THEY CANNOT BEAT THE STREAM FARMERS
WASTE OF EXPERIENCE. 😂
— AKPORSTLE INDUSTRY MACHINE ⚙️ (@Odumodublvck_) July 31, 2025
When a fan asked how an artist can compete against alleged stream farmers, Odumodublvck replied:
“By making exceptional music. Pity this boy. Juju blood on the dance floor. Woto woto seasoning. Dog. Eag. Dog. Legolas. Dem no born any stream farm well, the people love the music. E dey show.”
His comments come amid growing discourse on stream manipulation, sparked by Blaqbonez and Magixx, who both accused unnamed artists of inflating streaming numbers to gain unfair visibility on digital platforms.
While the debate continues, Odumodublvck’s stance is clear, authentic fan connection and musical quality remain the most powerful indicators of success, regardless of behind-the-scenes industry practices.
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